Friday, January 6, 2017

PIC FLEXCAM - The Universe’s First Flexible Camera



PIC is the world’s first portable lifestyle camera with a unique flexible body mount and an unbearably cute character design. PIC can be positioned without a mounting kit enabling you to capture any and every moment perfectly in-frame. Simply tie PIC to any object by bending the body and positioning the camera head. With its wide-angle camera lens, PIC can shoots not only photos and video, but can also can create time lapse and even animated GIF content.


PIC was born from the idea that cameras were meant for play! Existing action cams are often unwieldy or complicated to use. Smartphone cameras are limited by their narrow lens, while also being hard to position for a good shot. With its free-form flexible design, PIC's unique moldable body lets you decide how to play with PIC and enjoy the gorgeous image and video results.


With the advancement of portable camera technology, the potential for the creation of interesting content has undergone a rapid evolution. With PIC, you can shoot engaging share-worthy time lapse and animated GIF videos and share it instantly through to your social media channels like Facebook, Instagram, or Snapchat.


Adorable and eye-catching, PIC is clearly no ordinary camera. With customizable character designs and a wide range of colors, PIC is the most fun you’ll ever hava with a camera. 



( source indiegogo.com )

Mokacam - The World's Smallest 4K Camera



If your sole guidance on an industry was the share price of the market leader, then you'd definitely consider it a tough 12 months for action cameras. That said, newcomer So Special Labs isn't put off. In fact, it thinks its Mokacam GoPro rival might just be the tonic the product category needs. The 4K action camera packs a dual punch of being small and reasonably priced. At $270, it's more than $200 cheaper than GoPro's flagship 4K camera, and it deliberately tries to improve on its rival pain points. With all of that going for it, is the diminutive Mokacam able to compete with the biggest name in this space?
Going by the marketing, you'd think the Mokacam's key selling point was its size. On its hugely successful Indiegogo site, the company claims three separate times that the device is the "world's smallest 4K camera," and that's before you even get to the details of the product. The main websitealso repeats this claim throughout and boasts, "The only risk you run is not being able to find it in your bag." Spoiler: I can confirm that it's quite easy to find in most bags, though it is indeed on the smaller side.
The problem with the size claim is that at 45mm x 45mm x 30mm, the device isn't that much smaller than an unadorned GoPro Hero4 (41mm x 59mm x 30mm). And depending how you measure it (if you just measure the body and ignore the lens), my ruler suggests the Mokacam might not be smaller at all. The GoPro Hero4 Session is definitely more compact than the Mokacam, but then again, it doesn't shoot in 4K. Last, once you add the waterproof case to the Mokacam (required if it's going to get wet), it's actually bigger than any housed GoPro Hero4 -- so I'm not sure why the company placed so much emphasis on the footprint.
The size brag seems even less necessary once you look at the spec sheet. The Mokacam has a pretty robust feature set that includes a 16-megapixel sensor (the GoPro Hero4 Black has 12); 4K video shooting at 25fps; a decent Sony sensor; and hot-swappable, magnetic batteries, plus software stabilization and motion detection. Some of these features address major pain points found in all action cameras, but a few feel specifically targeted at GoPro (battery life and the lack of image stabilization come up again and again in GoPro forums).
Mokacam wouldn't be the first action camera that relied on unique features to stand out. Garmin's VIRB series trades on the company's GPS heritage, and TomTom added auto-editing, while others bet on price. The Mokacam, for its part, tries to solve genuine problems rather than create gimmicks. I already mentioned the hot-swappable magnetic 1,100 mAh batteries, for instance.
This is a genius idea that theoretically lets you record forever (at least until your memory card fills up). The magnetic back also means you can mount the Mokacam on metal surfaces directly, no accessories needed. In a similarly practical vein, the attachable LCD screen has its own battery and thus doesn't drain the one inside the camera.
It's not just the hardware design that's thoughtful. The software -- on both the camera and the app -- also has clever features. First up is software stabilization, which I found wasn't as smooth as the OIS found in the iPhone 6s Plus. Still, it's better than nothing. Then there's the motion detection. With this, you could use the Mokacam as a security camera or capture wildlife shots. Other cameras have similar features, but their inclusion here shows Mokacam's makers are eager to please at both the hardware and software level.
Smart hardware and clever code are only as good as their delivery, though, and this is where things go a little off track for the Mokacam. Those hot-swappable batteries? A great idea and fun to snap on, but they can be knocked off during an activity (unless you're using the case, that is). And the LCD screen? It works well enough, but the menu system isn't intuitive. Many key features, including motion detection, are hard to find. The menu screens on the LCD are generic and look like they'd be more at home on an off-brand MP3 player from 2009. Neither of these accessories works with the optional stabilizer accessory (itself a good product, and was used in the sample video in this article).
I'd like to say that the Mokacam was also designed for ease of use. It probably was, but the reality isn't so straightforward. It's nice that there's an app and an LCD screen to control the camera, but there's barely any feedback on the camera itself. One single, tiny LED on top of the camera tells you whether the device is on, recording or taking a picture -- and it's barely visible in the waterproof case. To switch between video and photo mode, you tap a button on the side; an equally small LED provides feedback here. It's easy to press this button by accident without realizing it. It's also the same button that you use to activate WiFi, with a long press. Doing so dims that top LED enough so that it looks like the camera is switched off (it isn't).
By the way, you'll want to enable WiFi so you can use the companion app. You might wish you hadn't bothered, though, as the software needs work. On Android, I could barely get it to run at all. I successfully connected to my phone precisely one time. The iOS version works much better but still lacks many of the menu options the LCD display provides, and it's pretty ugly too. Other oddities include the option for 20-megapixel mode, even though the camera's sensor has 16 megapixels, and the 4K video mode isn't accessible here either. So unless you have the LCD (which is technically $50 extra), you'll have to wait until the app gets updated before you can use it. Thankfully, an update is indeed in the works, the company tells me.
This is a first-generation, crowdfunded product. So I'm willing to cut it some slack if the image quality is on point. The slider below contains two versions of the same shot, one from the GoPro Hero4 Black (right) and one from the Mokacam (left). The two had near-identical settings (mostly auto). You'll see that the Mokacam's higher resolution results in sharper detail on the trees and other busy objects. You'll also notice that the color is much more vivid. This may initially make the image more pleasing to the eye, but the GoPro's color reproduction is actually much more authentic. That is to say, the Mokacam is boosting the saturation on the camera.
As for video, the results are pleasing. The general image quality is good, and there's no screen door effect either. Colors don't seem as amped as they do in photo mode, but there might be other factors at play. Bright backgrounds can blow out the image a touch -- the cheery blue Spanish sky in the sample below seemed to come out white -- and at times there's what appears to be lens distortion. There is an option to remove that on the camera, which is a real time saver, but it's not always practical out in the field. Overall, though, the Mokacam is good enough that, combined with price, it makes a strong case to those not willing to spend more than $300 on a camera they may only use occasionally.
Ultimately, could the Mokacam be my go-to for outdoor activities? Not right now. I love the creative thinking behind the batteries, the self-powered LCD and the ability to mount it magnetically. The camera delivers decent photos and video too. The issue for me is the usability. Simplicity is good, but visual feedback and functionality are better. Still, at $270 for a fully loaded bundle (with extra battery, LCD, waterproof case, remote and carry pouch), you might consider a few lost or accidental videos worth it.

Xiaomi YI 2 4K Action Camera



The Yi is almost exactly a GoPro. It looks exactly like a GoPro. Everybody I showed it to thought it was a GoPro. Even the font in its menu system is suspiciously familiar, as is the latch on the waterproof housing. It can shoot at the same high speeds as the Hero4 Black. The pattern of beeps for starting and stopping recording is the same. So what’s the difference? The Hero4 Black costs $500, and the Yi 4K costs $250. But wait, there’s more.


When GoPro made the Hero4 line, it decided that the mid-tier Silver edition would have a touchscreen on the back, but that the top-tier Black edition would not. The Yi 4K basically took the Black edition and put the Silver edition’s screen on it, but it’s larger (2.19 inches versus 1.5 inches), higher resolution (330 pixels per inch), and more responsive than GoPro’s.
The catch is that the Yi 4K has only one button. You tap it to start/stop recording and you hold it to power up/down. If you want to change modes or tweak settings you have to do it through the touchscreen (or paired smartphone app for Android and iOS). This is all fine and good if you’re inside, but the screen is nearly impossible to read if it’s bright out. It also means you can’t change modes or settings if you have it in a waterproof housing. (There’s a workaround for alternating between photo and video, but it’s kind of a pain.)
Speaking of waterproof housing, while that’s included with the GoPro, the Yi’s housing is sold separately (it costs $13 on Amazon). It also doesn’t come with any mounting accessories. The incredibly wide array of mounts is one of the things that makes GoPro the 800-pound gorilla of action cams. How did Yi solves this? Its camera uses the exact same plastic mounting hardware, so you can use virtually any GoPro accessory with it. I would imagine that GoPro’s IP lawyers might have a thing or two to say about that.
The Yi seems to be well made. It’s the same height and depth as a Hero4, but it’s slightly wider than its muse. The extra width made it possible to accommodate a slightly larger battery, and the camera puts it to good use. I did my standard 1080p 30fps battery rundown test. It took the Hero4 Black 1 hour 38 minutes to run out of juice. The Yi? 2 hours 48 minutes! That’s damn good, and considering that wimpy battery life is probably the least favorite thing about the GoPros I use, it’s a big deal. Also, Yi put a standard tripod mount on the bottom of the camera, giving you a way to mount it without any proprietary hardware, which is a nice touch.

Head-to-Head Test Against a GoPro Hero4 Black

As far as image quality goes it’s very, very close. I’d give the edge to the Hero4 Black here, but just barely. Details are slightly sharper with the GoPro and colors are more true to life. The GoPro also does a much better job of metering and its dynamic range is a little better, too. If you look at small details on the Yi you can see some blockiness that shouldn’t be there. The Yi boasts an in-camera anti-distortion filter to compensate for the fisheye lens, but it didn’t seem to actually do anything at all. There’s also electronic image stabilization, but it looks like garbage so I wouldn’t recommend using it.
The Yi 4K doesn’t have as many shooting modes as GoPro. It doesn’t have the same Superview that smushes more from the top and bottom into your frame and is better for selfie angles (on the nose of a surfboard or at the end of a selfie stick while snowboarding, say). It can’t shoot at 24fps, which makes footage look more cinematic. The Yi is locked at a 155-degree field of view, so you can’t change the field of view between wide, medium, and narrow like you can with a GoPro. Audio quality is about equal to the GoPro, and it performs better in low-light. Dimly lit footage is noisy as hell, but you can still see more of it than you can with the GoPro.
One thing that drove me nuts while testing is that it’s really hard to tell whether the camera is rolling or not, especially when it’s in a waterproof housing. Its beep isn’t nearly as loud as GoPro’s and the red lights that flash to indicate recording status are entirely too dim to be seen on even a moderately bright day.
Yi’s smartphone app isn’t as polished as GoPro’s, but it worked just fine. The Yi features 2.4GHz and 5GHz radios which means clips transfer to your phone faster. Connection to the camera was incredibly quick and easy, and it was simple to change settings, start and stop recording, and even trim then transfer clips to your phone. In fact, the app can add Instagram-like filters to your content. Some of them have the exact name as filters on Instagram. Which brings me back to something I keep getting hung up on.

The Price of Originality

There’s just nothing original about this camera. At all. The hardware, the software, the features, they were all cribbed from other companies (mostly GoPro). So, yeah, of course it’s so much cheaper; Yi only had to spend a fraction of the R&D money that GoPro did. Frankly, it just feels wrong. It feels like you’re supporting plagiarism.
But damn, $250 vs $500? It would be tough to look a broke-ass film student in the eye and say, “Yeah, spend twice as much for the GoPro, because it’s twice as good.” It isn’t. Even if the GoPro has some quality edges, the Yi’s better battery life and built-in touchscreen more than make up for that. We’ll see how GoPro responds in its next-gen Hero camera… and how long it takes the copycats to catch up.
But for now, I guess I’m saying, yes, the Yi is the better buy for most consumers. I just don’t feel good about saying it.

CLICK NEXT TO CHECK MOKACAM NEXT 
(source wired.com )

GoPro Hero 5


KEY FEATURES

  • 4K/30fps maximum resolution
  • Waterproof to 10m without a case
  • Dual microphones
  • GPS
  • Electronic Image Stabilisation
  • 2-inch touchscreen display
  • RAW photography and Wide Dynamic Range
  • Manufacturer: GoPro
  • Review Price: £350.00

WHAT IS THE GOPRO HERO 5 BLACK?

The Hero 5 Black is the GoPro camera option for those who want the best action cam available right out of the box. You can almost think of the Hero 5 Black as GoPro’s "Greatest Hits" compilation. It takes the best features from previous generation GoPro cameras and combines them together in a single unit – and adds a smattering of new functions too.
What's the recipe for the best GoPro camera? Take the same 4K resolution, 30fps video of the Hero 4 Black, throw in the touchscreen display that was a feature of the Hero 4 Silver (and only an optional extra for the more expensive Black), and mix in the built-in waterproof capabilities and improved audio performance of the original Hero Session.
Top this lot off with electronic image stabilisation (finally!), useful voice controls and GPS, and you have one superb action camera – and the best one GoPro has ever released.

GOPRO HERO 5 BLACK – DESIGN AND ACCESSORIES

Putting aside the outlier Hero Session, the Hero 5 Black sees the first drastic re-design to GoPro’s main range of cameras, which is both good and bad; mainly good, however.
It retains its familiar rectangular shape, but the Hero 5 Black is now coated in a grippy, rubberised material. It’s far more rounded at the corners, too. The dimensions of the camera have changed, which could mean it might not play well with certain older accessories and mounts. The handheld gimbal I used with the Hero 4 Black, for example, can no longer hold the Hero 5 Black since frame obscures the camera's lens slightly.
WATCH: GoPro Hero 5 Black video review
0:00
/
2:47
This is because the Hero 5 Black is a few millimetres bigger in all dimensions than the Hero 4 Black when outside of its waterproof case. Most noticeable is its depth, especially when you take into account its protruding lens.
GoPro Hero5 Black
The reason is understandable, though: there’s now a 2in touchscreen display on the rear. The Touch BacPac was an optional accessory for the Hero 4 Black and added to its size.
In addition, the Hero 4 Black was waterproof only in the dedicated case, whereas the new camera is waterproof without the need for any additional housing. It’s safe to take the Hero 5 Black to depths of 10m without a worry. If you want to go deeper, then there is a waterproof housing available as an optional extra.
To keep the internals of the camera free of water, GoPro has more greatly reinforced the battery, microSD and connection port covers compared to previous models to keep them sealed. A little effort is required to access the micro-HDMI and new USB Type-C charging port in particular, since you need to depress a fiddly release button on the side to open the catch before sliding it open.
GoPro Hero5 Black
And yes, you read that right. Having waited this long for GoPro to finally embrace micro-USB ports in place of mini-USB, the company has now moved onto USB Type-C instead. Don’t get me wrong, this is a good move – especially if you have a newer smartphone featuring USB Type-C – but it just tickles me that it happened so rapidly after an initial long wait.
Removing the need for the waterproof case in most shooting scenarios is a big deal. Not only is it more convenient, and makes for a smaller camera, but the audio-capture performance is much improved now that the microphones aren’t encased.
Like the Hero Session, the Hero 5 Black features dual microphones, front and back, which the camera can swap between for the best performance – especially in windy situations. If you’re on a bike, for example, the camera can intelligently swap to the rear microphone for less wind noise.
As a bonus, the Hero 5 Black weighs about 30g less than the Hero 4 Black in its case, which will make it slightly less noticeable if you have it attached to a helmet or on your body.
Instead of having to use the waterproof case from older cameras for mounting, the Hero 5 Black now comes with a plastic frame that wraps around the edge, with the standard GoPro mount on its base.
GoPro Hero5 Black
Since there’s an exposed cut-out on the side of the frame, you can actually remove the USB port cover – just remember to reattach it if you intend to use the camera in water. This means you don’t have to remove the camera from the frame to charge it, or if you need to power the camera for a long period – for a lengthy time-lapse video, for instance – while keeping it mounted.
A standard adhesive mount is included in the box, but the Hero 5 will work with practically all standard GoPro mounts that aren’t based on the specific size of the Hero 4 Black – as was the case with my aforementioned gimbal.
Overall, I love the new design of the Hero 5 Black. The rubberised exterior makes it great to hold and it helps the camera when it comes to shock-proofing too. Where I never really felt comfortable using the Hero 4 Black without its protective case even when out of water, the Hero 5 Black feels solidly constructed. Not needing a waterproof case for all but the deepest depths is also a real benefit.

GOPRO HERO 5 BLACK – CONTROLS AND SCREEN

The most notable change is that the typical three-button control scheme – a mainstay of GoPro’s cameras up to this point – is now no more. On the side of the camera you'll find a button for power and jumping between shooting modes, and there's a shutter button on the top. The small LCD panel remains on the front and, if you do want to change settings while viewing the camera from the front, you can dive into the familiar menu by holding down both buttons together.
The 2-inch display is of a decent size but an even larger one would have been welcome, by way of removing the thick bezel around the current display. The display is nice and bright for viewing outdoors.
The menu system has been completely revamped and is more intuitive than the older, touch-based control systems of past GoPro cameras. It draws from the kind of experience that is familiar from a smartphone, with swipes in from the sides to bring in menus and options.
For example, dragging down from the top provides access to the connection settings for pairing the camera with a smartphone or Bluetooth remote control, as well as giving access to the camera preferences. You can also lock the touchscreen from here, which you’ll need to do when entering the water as it can otherwise cause accidental interactions.
GoPro Hero5 Black

Swiping from the left of the shooting screen takes you to the gallery, where you can see all of your captured media in a grid. Tap on one to view it full-screen, or swipe left and right in a film strip. Again, all very familiar and intuitive. A swipe down at any point will take you straight back to the shooting screen.
Swipe in from the right of the shooting screen and you'll gain quick access to context-sensitive settings, such as ProTune, video stabilisation and low-light modes. GoPro told me that its decision to make accessing the ProTune mode easier is so that users would be more likely to experiment with its settings. These offer advanced video controls such as adjusting the colour, white balance and ISO, and is a mode that many professional videographers use.
GoPro Hero5 Black

The touchscreen makes it easy to change the shooting mode, from video to capturing stills, and to change the settings for each mode – such as the resolution or frame rate. The menus on the Hero 5 Black will become familiar within a few short minutes, being far more intuitive than having to navigate the settings on the old Hero 4 Black using the small LCD panel and three-button control system.
The only complaint I have is that actions can feel a little slow to react, and the touch detection isn’t as responsive as I'd like. On occasion this delay can contribute to a feel that the touch hasn't registered, so in prodding again you can end up changing a setting that wasn't your intention. The camera’s underlying operating system isn’t the swiftest in that regard. Hopefully, this will be improved with future software updates. It's also a little tricky swiping in from the edge especially when the camera is in its frame mount.
GoPro Hero5 Black

Then of course there’s the new-fangled voice controls. The Hero 5 Black is positively multilingual, understanding commands in seven languages. You can say "GoPro start recording" or "GoPro shoot burst" and the camera will act accordingly – that is if it can hear your command. I found it could struggle in louder environments, or I’d need to really raise my voice when outdoors. GoPro is releasing an optional voice-enabled remote control that will help in these scenarios, but I do wish the microphones were more sensitive.
The front LCD displays the mode you’re in and the resolution, battery life and the storage capacity remaining while recording in that mode. There’s a red LED above this to show when the camera is capturing, as well as another on the back.
GoPro Hero5 Black

Combined with beeps, it makes it easy to determine when the camera is shooting under most circumstances. I’d still love if GoPro would add haptic feedback to its cameras, though. I’ve tested cameras that vibrate when they begin recording, and this is great when the camera is mounted out of sight, such as on a helmet, and it’s too noisy to hear a beep.
The one-button capture control makes a return, so you can press the shutter button when the camera is turned off to instantly turn it on and begin capturing video, or hold the button for three seconds to capture a time-lapse.


GOPRO HERO 5 BLACK – APP AND EDITING

GoPro has renamed its companion app for Android and iOS as "Capture", but it functions largely as it always has. You can pair the Hero 5 Black with your smartphone or tablet over a combination of Bluetooth and Wi-Fi. The Bluetooth connection allows the Capture to remotely power on the camera – it stays connected in a Bluetooth Low Energy mode – while controlling the camera and transferring footage happens over a direct Wi-Fi connection.
GoPro Hero5 Black

While everything works reliably, it isn't quite as quick to connect and pair as the Yi 4K Action Camera, which was by far the most seamless experience I’ve had with an action camera.
The app is intuitive to use and you can easily select images and videos to save to your smartphone or tablet for editing or sharing. You can also grab still images from video, which is particularly great when you've shot in 4K, as the resulting stills are high resolution.
The live view is superb when you can’t use the touchscreen display on the camera, and there’s only a slight delay between what the sensor captures and what you see on your screen – although I’d say it felt a little slower than the Hero 4 Black. You can also change settings through the app.
Editing and sharing footage has always been a problem with GoPros – and all action cameras, really. We all amass lots of video and photos that we don’t necessarily know what to do with. GoPro wants to make this easier with its apps, Quik and Splice. The latter is only available on iOS. Both apps came about through acquisitions by GoPro, so editing is a big part of the company’s strategy in making capturing memories on a GoPro a tempting prospect.
The Quik app lets you import video and still images, and the app will churn out an edited video with intelligent cuts to predetermined music, including fancy transitions. You can pick different styles, filters and music to your taste.
GoPro Hero5 Black

It’s a super-quick way to knock out a shareable video, and it works really well – although the "smart" cuts aren’t always the smartest. It also means a lot of very similar videos – like when Instagram shots all used the same filters, giving all images a samey feel. Still, the app options offered by GoPro far surpass anything from other manufacturers. You can see a few example edits further down the page.

GOPRO HERO 5 BLACK – QUIK FOR DESKTOP AND GPS TELEMETRY DATA

Of course, if you're more comfortable editing your own video using whatever suite you're familiar with, then that's an option too. One reason to use GoPro's own Quik for desktop software is a new update that allows it to make use of the GPS information captured by the camera. In a similar move to rivals such as TomTom, you can now overlay telemetric data over your videos, such as speed, distance, altitude, elevation, G-force and GPS path.
This is a significant update because previously all the GPS was used for was geotagging the location of any still images captured on the GoPro. Now with actual use of the telemetric data, it not only provides an extra layer of information but also data you can analyse if you're involved in sports such as skiing or snowboarding.
GoPro Hero5 Black

The app will let you pick and choose what information you want displayed, as well as move and resize it according to your video.

GOPRO HERO 5 BLACK – VIDEO AND SOUND QUALITY

The Hero 5 Black’s sensor has the same capabilities as that on the Hero 4 Black. That means it tops out at 4K resolution capped at 30fps. Dropping down to 1080p and you can go to 120fps or down to 720p at 240fps for super-slow-motion video. This is all par for the course for GoPro’s top-end cameras.
The main addition is that previously mentioned electronic image stabilisation. This only works up to 1080p at 60fps. Anything higher, either in resolution or frames per second, and the mode is disabled. Fortunately, 1080p at 60fps and below will serve most shooting scenarios more than adequately. The EIS is something you’ll want to use for any footage that’s prone to camera shake.
GoPro Hero5 Black

It isn't without a cost, though: since the shake compensation is achieved in the software by cropping into the image to negate the camera movement, you’ll lose about 10% of the frame. Regardless, the effect was noticeable when shooting some handheld footage whilst walking at 4K, and then at 1080p with EIS enabled. The resulting footage was much smoother and less nausea-inducing with EIS engaged – although it can feel a little floaty at times.
The Hero 5 Black’s image quality is as great as that produced by the Hero 4 Black, with plenty of crisp, sharp detail. Colours are vibrant and there’s no noise when served with ample lighting. Chromatic aberration is well controlled and exposure is spot on most of the time.
Riding credit: Rupert RAD-ley, TrustedReviews
Sound quality on the Hero 5 Black supersedes that of the Hero 4 Black in its case. The microphones are able to pick up far more sound, and the wind reduction does a great job at capturing usable audio – and on the whole does much more to add to the immersion of your video.
GoPro's Quik app can make even unexciting video more compelling
Still image photography is a big part of the Hero 5 Black. More people are using GoPros as still cameras due to their waterproofing functionality and small size. In fact, the winning shot from the Wildlife Photographer of the Year awards at London’s Natural History Museum was shot on an older GoPro, which was quite the coup.
GoPro Hero5 Black

The Hero 5 Black captured plenty of detail across this tricky scene. Un-edited straight from camera.
To bolster the Hero 5 Black’s photographic capabilities, GoPro has added RAW support, so you have far more data to play with when it comes to the post-processing of your images. Then there’s a Wide Dynamic Range mode, which is essentially HDR. This will help you capture more detail across the highlights and shadows.
GoPro Hero5 Black

Shot in Wide mode
GoPro Hero5 Black

Shot in Linear mode
GoPro Hero5 Black

Low-light shots are well managed, although there's some noise as expected
You can also shoot images in a new Linear mode, which corrects the barrel distortion of the wide-angle lens. This results in more natural-looking images, which are free of the curved lines associated with wide-angle lenses. Again, colours and details are great, and you can achieve even better results if you take the time to shoot in RAW and apply a bit of processing thereafter.

GOPRO HERO 5 BLACK – BATTERY LIFE AND CHARGING

The Hero 5 Black’s battery has a fractionally larger capacity than the older version, which is helpful considering you have GPS, a touchscreen and EIS to factor in. It does also mean the battery is physically different to older GoPro batteries, so you'll be unable to reuse Hero 4 batteries, which is a shame.
GoPro Hero5 Black

Battery performance is a little better than the Hero 4 Black from my testing. I managed about 1hr 45mins of 1080p video at 30fps, where it was closer to 1hr 30mins on the Hero 4 Black. This was with the Wi-Fi connection, GPS and EIS all turned on. You should achieve longer if you start disabling functions. I managed about an hour of 4K video at 30fps, which is around the same as the Hero 4 Black.
It’s worth noting that this is when shooting one long continuous video, where the display turns off. While shooting numerous short clips, battery duration was far less.
Fortunately, you can carry a spare battery if you’re out on a longer shoot. As mentioned previously, the Hero 5 Black now uses a USB Type-C connection to charge.

SHOULD I BUY THE GOPRO HERO 5 BLACK?

GoPro Hero5 Black

By taking the best component pieces from older cameras and adding new features, the GoPro Hero 5 Black is the best camera GoPro has ever produced. It’s incredibly easy to use and the new form factor and waterproofing are fantastic additions. The electronic image stabilisation has been something I’ve been longing for for some time now, so it’s great to finally see it included, and it works really well. The image quality is best-in-class and there’s plenty to love for those taking photos alongside video.
It’s also worth commending GoPro in this post-Brexit economy for the fact that, at £350, the Hero 5 Black price is actually less than what the Hero 4 Black cost at launch. When it seems like everyone is jacking up prices, this is more than welcome.

VERDICT

The GoPro Hero 5 Black is the best action camera you can buy today.

CLICK NEXT TO CHECK XIAOMI YI 2 NEXT
( source trustedreviews.com )